{"created":"2023-05-15T09:41:22.218232+00:00","id":143,"links":{},"metadata":{"_buckets":{"deposit":"9c196d18-b1e4-4417-bfbe-95f935c47723"},"_deposit":{"created_by":4,"id":"143","owners":[4],"pid":{"revision_id":0,"type":"depid","value":"143"},"status":"published"},"_oai":{"id":"oai:musashino-music.repo.nii.ac.jp:00000143","sets":["26:28"]},"author_link":[],"control_number":"143","item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2022-09-30","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"1","bibliographicPageEnd":"84","bibliographicPageStart":"63","bibliographic_titles":[{"bibliographic_title":"音楽研究"}]}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"武蔵野音楽大学"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"27582418","subitem_source_identifier_type":"EISSN"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"阮, 欣欣","creatorNameLang":"ja"},{"creatorName":"ゲン, シンシン","creatorNameLang":"ja-Kana"},{"creatorName":"Ruan, Xinxin","creatorNameLang":"en"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2022-09-30"}],"displaytype":"detail","filename":"ongakukenkyu2022_ruan.pdf","filesize":[{"value":"1.9 MB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"日中両国の戦後のオペラ作品におけるオペラの美学とその差異 ―《夕鶴》と《白毛女》の比較を通して―","url":"https://musashino-music.repo.nii.ac.jp/record/143/files/ongakukenkyu2022_ruan.pdf"},"version_id":"ce0edcb0-7381-4049-a7f2-8f47c69201cc"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"日中両国の戦後のオペラ作品におけるオペラの美学とその差異 ―《夕鶴》と《白毛女》の比較を通して―","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"日中両国の戦後のオペラ作品におけるオペラの美学とその差異 ―《夕鶴》と《白毛女》の比較を通して―","subitem_title_language":"ja"},{"subitem_title":"Operatic aesthetics and its differences in post-war operas in Japan and China : A comparison of Yuzuru and The White Haired Girl","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"4","path":["28"],"pubdate":{"attribute_name":"公開日","attribute_value":"2022-09-30"},"publish_date":"2022-09-30","publish_status":"0","recid":"143","relation_version_is_last":true,"title":["日中両国の戦後のオペラ作品におけるオペラの美学とその差異 ―《夕鶴》と《白毛女》の比較を通して―"],"weko_creator_id":"4","weko_shared_id":-1},"updated":"2024-01-19T06:44:40.731676+00:00"}